Inhoudsopgave

Introduction
Will Straw

The Stockton Conference: Recollections and Commentaries
Simon Frith, Paul Friedlander, Anahid Kassabian

"Drumbeats, Pennywhistles and All That Jazz": The Relationship Between Urban South African Musical Styles and Musical Meaning
Lara Allen

Sensation and Seduction: Sissel Kyrkjebo 'Breathtakes' Norway - The Signifying Power of The Voice
Kate Augestad

The Identities of Race, Class and Gender in the Repression of Early Black South African Jazz and Vaudeville (ca. 1920-1944)
Christopher Ballantine

Watching Pop Music Video Audiences
Ute Bechdolf

The Ins and Outs of Youth Broadcasting in (East) Germany
Susanne Binas

The Politics and Musical Practice of "Crossover"
David Brackett

Lesbians and Popular Music:does it matter who is singing?
Barbara Bradby

The End of the World as We Know It: Popular Music's Cultural Mobility
Marcus Breen

Not Taking The Rap: NWA Get Stranded On An Island Of Realism
Martin Cloonan

Localizing Sound
Sara Cohen

We Can Work It Out
John Covach

Canadian Women in Country Music
Linda Daniel

American Karaoke Performers As Amateurs and Professionals
Robert S. Drew

For Love Or Money? Austin Musicians' Discourse On the Idealist/Materialist Debate
Jeff Farley

Two Stories: Where Exactly is the Local?
Mark Fenster

Old School - New School:' An Examination of Changes in the Production and Consumption of Post-disco Underground Dance Music in New York City
Kai Fikentscher

Black Or White? Stylistic Analysis Of Early Motown Crossover' Hits: 1963-1966
Jon Fitzgerald

Listen to Your Voice! Authenticity and Reflexivity in Karaoke, Rock, Rap and Techno Music
Johan Fornas

Body, Soul, and Modernity:A Comparative Study of Edith Sodergran and Eva Dahlgren
Hillevi Ganetz

The Veneration of James Brown and George Clinton In Hip-hop Music Is It Live! Or Is It Re-memory?
Kyra D. Gaunt

Rockin' the Imagined Local: New York Rock in A Reterritorialized World
Leslie C. Gay, Jr

Quebec Sings "E Uassuian" The Coming of Age of A Local Music Industry
Line Grenier & Val Morrison

New Perspectives in Musicology:Musical Structures, Codes And Meaning in 1990s Pop
Stan Hawkins

Australian Music Video: Industrial Spaces, Economics And Style
Philip Hayward

Is This What You Call Change? Flexibility, Post-Fordism and the Music Industries
David Hesmondhalgh

Singing Not Together: Karaoke in Sao Paolo
Shuhei Hosokawa

Local Construction of Identity: Analysing Category-Work of an Amateur Music Group
Helmi Jarviluoma

An American Accent:Gender and Cultural Reorientation in Australian Popular Music
Bruce Johnson

"Crossover" and the Politics of "Race"
Simon Jones

Recasting Popular Music Studies' Conceptions of the Authentic and the Local in Light of Bell's Theorem
Steve Jones

Who Gets To Sound American in Hollywood Films?
Anahid Kassabian

The Adaptability of Karaoke in the United Kingdom
William H. Kelley

Technologies of Authorship in Disco
Carolyn Krasnow

Rock and Ritual: The star-cult as a phenomenon of the music industry and as a communications stereotype of modern musical culture
Konstanze Kriese

Institutional Practices in Alternative Music Scenes
Holly Kruse

An Examination of Industrial Practice: The Case of Wax Trax! Records
Stephen Lee

A Comparison of the Use and Appeal of Karaoke in Japan and Australia: How has Karaoke Adapted to the Australian Culture?
Heather Macaw

Subculture, Rock Music, and Gender
Airi Muki-Kulmala

Karaoke Throughout the World (Introductory Remarks)
Toru Mitsui

Money for Nothing? The Future of Copyright Renumeration For The Use of Phonograms In Radio and the Blank Tape Levy/Fee
Jari Muikku

Newfoundland Vernacular Song
Peter Narvaez

Sinead O'Connor: Miniature Portrait of the Artist as an Angry Young Woman
Keith Negus

Karaoke in Japan: A Sociological Overview
Hiroshi Ogawa

The Influence of Czech Folklore on Czech Rock Music
Alec Opekar

Music Knows No Borders: The Political Background of the GDR's International Rock Concerts in the Late EightiesMichael Rauhut

A Hero to Most? Elvis, Myth, and the Politics of Race
Gilbert B. Rodman

The Garifuna & Creole Culture of Belize Explosion of Punta Rock
Jennifer Ryan

The Booth, The Floor and the Wall: Dance Music and the Fear of Falling
Will Straw

(Dis)located? Rhetoric, Politics, Meaning and the Locality
John Street

He Waiata Na Aotearda - Maori and Polynesian Music in New Zealand: Akona Te Reo
Tony Mitchell

What's That Sound? Listening To Popular Music, Revisited
Paul Theberge

Discotheques in Puerto Rico: Salsa vs. Rock
Patria Roman Velasquez

Clamor and Community: Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy
Robert Walser

Mick Jagger: An Analysis of Sexuality, Style and Image
Sheila Whiteley

In Search of Yaa Amponsah
Peter Winkler